Hatoum – a new look at the familiar

Sinister life-sized cheese graters, a wooden cabinet filled with coloured glass perfume jars in the shape of hand grenades, a Fifties kitchen interior that hums with the electricity which lights up certain parts of it – these are some of the familiar objects that Mona Hatoum casts in a new light in her retrospective at…

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The politics of a global Pop

The world may seem in turmoil today, but that’s nothing on the late Sixties and early Seventies. Looking back at those days through the prism of Tate Modern’s The World Goes Pop (until 24 Jan 2016) is a harsh reminder of how close it all got to going up in smoke. Pop is generally associated…

Ai WeiWei wows London at Royal Academy

  China may be inclined to lock him up, but London has certainly laid out the red carpet for that thorn in the side of the Chinese government, Ai WeiWei. No matter that some over-zealous British official decided to refuse his visa initially, there has seldom been such a hero’s welcome for any artist. The…

Kiefer’s monumental vision

Anselm Kiefer is older in years than either Rembrandt or Turner when they died, but the centuries that divide these artists mean that no-one is talking of ‘late works’ for this 69-year-old German whose powerful vigour is on display in every recent work at the Royal Academy’s retrospective (until 14 Dec). Kiefer is a master…